Elizabeth Marvel, Hearing the Voices of America
In the new docu-theatre piece ‘The Ford/Hill Project,’ the words of Christine Blasey Ford and Anita Hill—and their interrogators—live again onstage.
In the new docu-theatre piece ‘The Ford/Hill Project,’ the words of Christine Blasey Ford and Anita Hill—and their interrogators—live again onstage.
There was no physical damage to the theatre building, but the company’s fate feels precarious, and not just due to the hurricane, said artistic director Charlie Flynn-McIver.
Heidi Schreck’s ‘What the Constitution Means to Me’ tops the list for the second year in a row (*11 due ties).
Kate Hamill and Rajiv Joseph tie for the top spot on a diverse list of dramatists and adaptors (*23 due to ties).
2 new books show and tell the instructive story of Arena’s path-breaking co-founder, Zelda Fichandler—both the work she did and the work she left for us to continue.
With this issue we look forward, glance back—and direct our concerns and hopes to the world outside the theatre doors.
As she prepares to leave her job as South Coast Rep’s first managing director, she reflects on the path here and the road ahead.
How this magazine got off the ground, and the ground it’s covered since.
Bart DeLorenzo directs Noël Coward’s original ‘throuple’ play at the Odyssey.
Director Barry Edelstein may have squeezed 3 Shakespeare history plays into 2 parts for this program, but nothing about this canon-completing repertory extravaganza is small-scale.