Peter Zeisler: Theatre Is a Refuge, So Open the Doors
We got people talking, and we moved the ball forward, but there’s so much more to do, and it’s time for a rebirth.
We got people talking, and we moved the ball forward, but there’s so much more to do, and it’s time for a rebirth.
Facing economic contraction and an ascendant conservatism, the task for the American theatre must be to energize the young and rethink the nonprofit model.
The arts should run counter to a mood of national apathy, not acquiesce to or accommodate it.
Can challenging work survive in an age of impulse buying? Ambitious new plays may provide the answer.
On the National Council for the Arts, he’ll speak for the ‘tough, ephemeral’ art of theatre.
Compounding tensions caused by the growing lack of financial resources threaten the ecology of the theatre.
Among the most striking changes in funding for theatre: the growth of corporate support.
Oh, the humanities!
The most pressing issue confronting the American theatre today is the relationship between the institutions and the artists that develop the work.
It will take more than money for U.S. theatres to function as companies and maintain repertoire, but money is certainly a start.