Summers in Rhinebeck, Where Birds Sing and New Musicals Grow
For 13 years, Kathy Evans’s new-work development program in upstate New York has given writers what they need to make new musicals.
Stories by Jim McDermott
‘My Tone Is Indigenous’: Larissa FastHorse on Native Comedy and Storytelling
Her ‘Thanskgiving Play’ is the first play by a Native woman playwright on Broadway, but you can leave your virtue-signaling and tragedy-porn expectations at the door.
3 Ways to Tell Stories of Sexual Abuse Onstage
The writers of ‘Vatican Falls,’ ‘How I Learned to Drive,’ and ‘Downstate’ take varied approaches to depicting pedophiles—and reckoning with what they deserve.
