She Built Herself a Home
Ahead of concerts at Steppenwolf and Ravinia, Kelli O’Hara reflects on her journey, artistry and breath work, and the “service” of performing.
Ahead of concerts at Steppenwolf and Ravinia, Kelli O’Hara reflects on her journey, artistry and breath work, and the “service” of performing.
A tuition-free program started by Theatre Producers of Colors is mentoring a new generation of theatremakers.
This month in Chicago, a rundown of theatre companies’ anniversaries, a lament for Victory Gardens, and a celebration of disability representation.
A brief introduction to the Fornés playwriting method, with a condensed exercise adapted by Migdalia Cruz from María Irene Fornés’s original lab at INTAR.
The commissioning program Generation Now emerged from a desire to diversify TYA, and may offer a model for more communicative collaboration across companies.
This month, Gabriela reflects on what theatre can illuminate about the ‘quiet art of survival,’ and two busy artists share self-care practices and visions for 2025.
This month, Gabriela explores multilingual and nonverbal storytelling, Jerald remembers Kris Vire and celebrates Sondheim, and two care consultants share ways to recharge this winter.
The Latino Theater Company’s border-defying Encuentro, the fourth of its kind, gathered hundreds of Latine artists for productions, partnerships, and dialogues in multiple languages.
This month, Gabriela describes visceral reactions to Chicago stages, Jerald highlights Steppenwolf, plus we get a Halloween preview from two local costume designers.
Selina Fillinger’s popular farce about women taking control of the White House hits different this fall.