Equal Pay, Equal Play
Does it make sense (and dollars) to compensate everyone in a company equally?
Stories by Eliza Bent
The End of a Hole Era
Collapsable Hole artistic director Eric Dyer shares his thoughts on the death, funeral, and wake of the notorious Williamsburg theatre.
The Irresistable Rise of ‘Miracle on South Division Street’
Tom Dudzick returns to the town of his birth to direct a self-penned play on faith, art, and the perils of show business.
Fantastic Journey: Goat Farm Arts Leads the Resistance
The Atlanta–based company joins the YA-dystopia craze with an audience-interactive adaptation of Eoin McNamee’s “The Navigator.”
Don’t Say ‘Colony’: Rubber Rep’s New Pop-Up Residency
The experimental Texan theatre company sets up shop in a church in Lawrence, Kans.
Performance Meets Ritual in ‘The Object Lesson’
Geoff Sobelle takes cues from comedians in his new show at FringeArts.
News in Brief for September 2013
From the Welders, to cheap tickets at Huntington Theatre Company, to August Wilson on the radio, to all the Lucy Thurber plays you can ever want—this month in national news.
What If Auditions Were More Like Collaborations Than Competitions?
Two Boston-based companies try new, more ensemble-based approaches to the casting process.
Art Powered by Collective Wisdom and Crowdsourcing
Theatre companies solicit ideas for ballet productions from audience members and through crowdsourcing.
Did You See What I Saw?
Excursions into the human psyche were de rigueur at this year’s Humana.
