A Room of One's Own, Shared With Others

The Writer’s Army creates low-cost, distraction-free writing spaces, coffee included (but snacks extra). Could this model catch on?

Jason Phelps’s Banquet of Empathy

In ‘Feast of My Heart’ at Salvage Vanguard, eight playwrights and eight directors approach the theme of compassion. But don’t call it a holiday show.

The downtown playwright/theatremaker talks about the traps she lays for herself—and for her audiences.

In a new installation/show in the Guthrie Theater’s Dowling Studio, artifacts of today become archeological curiosities.

New York’s Prelude Festival offers brief, unpredictable samplers of a wide variety of work, plus cozy collegiality. Plus it’s free.

Despite what the title may suggest, Annie-B Parson and Paul Lazar of Big Dance Theater are in complete control of their newest piece.

Eliza Bent on Theatre Offensive’s relevance makeover.

AT’s own Eliza Bent travelled to Poland to discover how more and more women are running theatre their way.

Clubbed Thumb in New York City uses “social captains” to get targeted audiences to come to shows.

Playwrights Julia Jarcho and Sibyl Kempson discuss how Jane Bowles has influenced their lives and their writing.