Rude Mechs Go Glitz and Glam for Design of ‘Stop Hitting Yourself’
Director Shawn Sides and set designer Mimi Lien talk about the design concept for their show at Lincoln Center Theater in New York City.
Director Shawn Sides and set designer Mimi Lien talk about the design concept for their show at Lincoln Center Theater in New York City.
The close of every season brings on awards fever in theatre communities, urban and not-so-urban, across the country. Here’s a glimpse of some of the accolades bestowed in five theatre-rich locales.
Spring’s award season in New York had a few big standouts.
The awards and prizes that have been given out since our last issue.
Those who stepped down from an old position or stepped up to a new one in July and August.
The Woolly Mammoth Theatre Company in Washington D.C. brings back “Stupid Fucking Bird,” Aaron Posner’s riff on Chekhov’s “The Seagull.”
How the production team at Lookingglass Theatre conjures a fairy tale using minimal props, aerial effects and window markers.
Natsu Onoda Power, Luciana Stecconi, and Jared Mezzocchi talk about designing David Henry Hwang’s “Yellow Face” at Theater J in Washington D.C.
Paula Vogel’s “Don Juan Comes Home from Iraq,” which envisions the story of Don Juan as a Marine suffering from PTSD, runs at the Wilma Theater in Philadelphia.
Playwright Deborah Zoe Laufer inspired by article sent via social media.