Rutina Wesley, From ‘True Blood’ to ‘Twelfth Night’
The Old Globe’s newest Viola talks about same-sex attraction in Shakespeare, playing against type, and the wonders of Fiona Shaw.
The Old Globe’s newest Viola talks about same-sex attraction in Shakespeare, playing against type, and the wonders of Fiona Shaw.
How did Andrew Russell bring this venerable resident theatre back from the brink of debt and dysfunction? Slowly, carefully—and locally.
The D.C.–based playwrights collective has found their replacements, who’ll take over in 2016 and steer the company in some new directions.
The ‘Great Comet’ composer returns to Russia for ‘Preludes,’ and this time it’s personal.
At the opening gathering of Theatre Communications Group’s 2015 National Conference, the topics include race, Cleveland, and performance by any means necessary.
Anne Washburn’s new play at Soho Rep, about a troubled tech rehearsal, puts a fictional backstage crew and the show’s real backstage crew into a new kind of dialogue.
The troupe’s 20th Summerworks festival, featuring plays by Jerry Lieblich, Kate E. Ryan and Jaclyn Backhaus, showcases both its downtown aesthetics and its experimental work ethic.
Robert O’Hara’s new play for Woolly Mammoth mixes Jacobean drama with political satire and the zombie apocalypse to make a statement about the undead way we live now.
How set designer Louisa Thompson, and the creative team at Soho Rep, turned an empty storefront into a hyper-realistic yet fantastical laundromat.
He follows his Obie-winning show ‘No Place to Go’ with the album ‘Raw Milk,’ and lets us have an exclusive listen to two new songs from it.