In ‘Houseworld,’ There Are No Spectators, Only Fellow Puzzlers and Pilgrims
More interactive than immersive, Andrew Hoepfner’s new show invites audiences to stretch their imaginations together and alone.
Stories by Christopher Kompanek
Blind Leaps Beyond Naturalism with Soho Rep’s Sarah Benson
The British-born director curates her Tribeca theatre with an eye on design, a taste for discomfort and a curiosity about who the work is for.
George C. Wolfe: From ‘The Colored Museum’ to an Actual Museum
In a new exhibit for Atlanta’s Center for Civil and Human Rights, the New York director highlights the theatricality, and the drama, of the Civil Rights Movement.
The Anna Shapiro Workout
Sprinting steadily from Steppenwolf to Broadway and back again, the Tony-winning director isn’t even out of breath.
Going Back to the Analog Age
Daniel Kitson reveals his latest creation ‘Analog.Ue’ at St. Ann’s Warehouse after months of speculation by fans.
Daniel Beaty’s Paul Robeson: Tall Enough to See the Truth
Daniel Beaty and Moisés Kaufman join forces to bring the legendary actor/singer/activist to vivid life in ‘The Tallest Tree in the Forest.’
Jessica Hecht: Head Tricks
The actress finds her own method (no, not that Method) of burrowing into a character.
Keeping Beckett Company
At BAM and beyond, his plays propel the willing on a rueful search for meaning.
For Donyale Werle, It’s Easy Being Green
Materials for her award-winning designs come from just about anywhere. Seriously.
