The Ground on Which I Stand
African American theatre is distinct, distinguished, and fully deserving of the kind of funding and respect too often reserved for white culture and institutions.
Stories by august wilson
Aunt Ester’s Children: A Century On Stage
The author looks back on the beginnings and development of his 10-play cycle, singling out one character as the most significant.
Subsidized Separatism: Responses to ‘The Ground on Which I Stand’
The debate continues in the wake of the address and its aftermath.
