Come As You Are
Theatre is all about human behavior. Is it time to let audiences be fully human too?
Theatre is all about human behavior. Is it time to let audiences be fully human too?
As Chicago’s MPAACT remounts ‘Tad in 5th City,’ which first ran in 2010, its content finds new and continuing resonances within the Chicago community.
The loss of multi-venue spaces over the last few years has shaken the city’s small theatre scene, leaving some companies searching for new homes.
A spark that started in Chicago has caught fire around the country, as both staff and performers for Drunk Shakespeare join Actors’ Equity.
The Wisconsin-based theatre has brought performers with disabilities together to tell more authentic stories about the disabled experience.