‘Shared Sentences’: Families Doing Time Together on the Outside
A new production from Houses on the Moon Theater Company explores the untold stories of family members whose loved ones are incarcerated.
Stories by Alexandra Pierson
So Good to See You: Highlights From Pittsburgh’s 2022 TCG National Conference
After 2 years held entirely remotely, this year marked TCG’s first hybrid conference, with both virtual and in-person gatherings focused on healing and learning.
Rattlestick’s Global Forms Theater Fest: A Lifeline for Immigrant Artists
What began as a way for visiting artists to maintain their O-1 visas has grown into a nearly 2-week celebration of international theatre, with over 100 immigrant artists from 34 countries.
Five EPIC Years: How to Build a Neuro-Inclusive Community
This New York-based company, dedicated to giving neurodiverse theatremakers a space to express their authentic selves, opens a production of ’25th Annual Putnam County Spelling Bee’ tonight.
A Theatre Grows in Brooklyn, Seeded by Subscriptions
A new Brooklyn performance space is trying a $25-a-month model, a la Netflix or Hulu—a box-office experiment that could in turn facilitate theatrical experiments.
‘The Chinese Lady’ and the Long Road Home
How Lloyd Suh’s ‘The Chinese Lady’ made it through 2 years of pandemic, protest, and anti-Asian hate to emerge as the nation’s most-produced and possibly most essential play.
