Borne Back Ceaselessly Into ‘The Great Gatsby’
With so many adaptations, including the return of Elevator Repair Service’s ‘GATZ,’ are artists reinventing a classic—or destined to repeat the errors of the past?
Stories by Alexandra Pierson
What Streams May Come
How the League of Live Stream Theater is trying to become more theatres’ second-best seat in the house.
In ‘The Kāmau Trilogy,’ No Man Is an Island
Staging the complete ‘Kāmau Trilogy’ in repertory for the first time in 30 years, Kumu Kahua Theatre aims both to honor the losses of the past and break the cycle of intergenerational trauma.
Michael Greif’s Triple Play
The director of ‘Days of Wine and Roses’ and ‘Hell’s Kitchen’ and co-director of ‘The Notebook’ talks about his busy Broadway season and his specialty in shows about mental health.
‘Tommy,’ Can You Hear Me? I’m Not Gonna Take It
From its casting to its staging, the acclaimed new Broadway revival of the iconic rock musical misses opportunities to engage with, and subvert, harmful tropes around Deafness and disability.
The Path: How 6 Actors Learned Their Craft
From conservatories to MFAs to youth ensembles, the best training to reflect human behavior onstage can take as many forms as life itself.
Early Adapters
A TYA radio play-turned-musical opens this weekend at the Kennedy Center, with accessibility and community at the forefront.
The 1/52 Project: Funding Designers for the Future
Now accepting applications and donations for its third consecutive year, the designer-backed grant program continues its mission to support underrepresented artists.
Everyone’s Invited to ‘Mrs. Krishnan’s Party’
The New Zealand-based Indian Ink Theatre Company brings immersive festivities to a number of U.S. theatres starting this month.
The Little Theatre That Could, and Still Does
How a 68-seat cultural gem on the Jersey shore has stood the test of time for the sake of new plays.
