Ron Sossi’s Personal and Theatrical Odyssey
Guided by a vision that was as much philosophical as theatrical, he built—and tenaciously defended—an influential theatre that ran against the grain in an industry town.
Guided by a vision that was as much philosophical as theatrical, he built—and tenaciously defended—an influential theatre that ran against the grain in an industry town.
‘John Proctor is the Villain,’ now on Broadway, is just one in a spate of recent plays that offer feminist correctives to ‘The Crucible’ and ‘Death of a Salesman.’
2 auspicious births (Al Pacino, Bill Irwin), a Shepard premiere, a ‘Hedwig’ closing, and a Covid anniversary.
The court refused to block the NEA from reimposing a restriction on funding for projects deemed to promote ‘gender ideology,’ even as they maintained that the rule likely violates the First Amendment.
The writer of ‘Issei, He Say’ talks about making plays from her family’s life, feeling the pressure to tell immigrant stories, and rebalancing her priorities.
Now is the time for artists and institutions to step up in defense of the most fragile and vulnerable among us—including our arts organizations themselves.
A roundup of prizes, fellowships, and other recognitions.
The busy actor has stocked an International Theatre Festival at the Venice Biennale with heavy hitters—including the one that formed him, the Wooster Group.
A caregiver interview project in D.C. and a ritual-creating program for formerly incarcerated folks in New Jersey.
This summer’s 2025 iteration will bring new plays into communities through collaborations with Philadelphia theatres.