She Loves Theatre, But Does Theatre Love Her Back?
86-year-old Nicki Cochrane, a tireless fixture of New York theatre audiences, sees 500 shows a year, by any means necessary.
86-year-old Nicki Cochrane, a tireless fixture of New York theatre audiences, sees 500 shows a year, by any means necessary.
As Haven Theatre closes its doors after 10 years in the city, it takes with it an initiative that has helped foster 7 cohorts of emerging directors.
In this month’s Chicago newsletter, theatremakers Jillian Leff and Joel Willison share what inspires them and the American Theatre team invites you to join us for a special event in the city.
A new book looks at the marriages of convenience—and backstage inconveniences—behind the filming of ‘Who’s Afraid of Virginia Woolf?’
Branden Jacobs-Jenkins’s world premiere play about a Black political dynasty is the latest in Steppenwolf’s lineage of explosive work crafted around their acting ensemble.
Efforts like Fat Theatre Project and Broadway Bods are fighting for more opportunities for performers who identify as fat and to change the way they’re seen onstage.
The diversification of theatre design starts—but doesn’t end—with training.
This month, theatres are still making tough programming choices as they look hopefully toward growing into the future, plus thoughts from Willow James and Tiffany Keane Schaefer.
From an instant connection at a workshop to world premiere productions, the creative duo’s working relationship has continued to blossom over the years.
A new Dada-influenced work from this longtime Children’s Theatre Company member explores the intersection of sound and language.