Captioning Chicago
This month, Gabriela explores multilingual and nonverbal storytelling, Jerald remembers Kris Vire and celebrates Sondheim, and two care consultants share ways to recharge this winter.
This month, Gabriela explores multilingual and nonverbal storytelling, Jerald remembers Kris Vire and celebrates Sondheim, and two care consultants share ways to recharge this winter.
The Latino Theater Company’s border-defying Encuentro, the fourth of its kind, gathered hundreds of Latine artists for productions, partnerships, and dialogues in multiple languages.
This month Brian speaks with the playwright about striving to write one play a year and drawing inspiration from various roles and identities.
In this month’s Christmas-Halloween mashup, Woodzick chats with two drag icons about their seventh annual holiday show, as well as Seattle-based playwright Kelleen Conway Blanchard about horror and true crime-inspired projects.
This month, Gabriela describes visceral reactions to Chicago stages, Jerald highlights Steppenwolf, plus we get a Halloween preview from two local costume designers.
Selina Fillinger’s popular farce about women taking control of the White House hits different this fall.
In this month’s Offscript, we hear from three leaders who bring the world together through Shakespeare and new work. Plus, we learn about a new generative arts journalism fellowship.
Deaf and hearing artists are looking for the timeless rage in a new staging of Green Day’s ‘American Idiot,’ a collaboration between Deaf West Theatre and Center Theatre Group.
This month Brian speaks with the Playwrights’ Center core writer and co-artistic director of Minneapolis’s Red Eye about chance encounters and her relationship to future thinking.
On this episode we broke the news of which plays and playwrights will be the most produced this season. Listen in on a conversation between the editors and some most-produced playwrights on new play development.