Erica Ezold Named Quintessence Theatre Executive Director
The former People’s Light managing director succeeded Grace Grillet in the position last week.
All posts by American Theatre Editors
People to Watch: Ingrid Michaelson and Mark Clayton Southers
Get to know the composer behind Broadway’s ‘The Notebook,’ and the playwright behind the world premiere of ‘The Coffin Maker.’
Jonathan Norton Named Dallas Theater Center Interim Artistic Director
The resident playwright will succeed artistic producer Sarahbeth Grossman and work alongside executive director Kevin Moriarty.
Offscript: Harry Lennix & Ken-Matt Martin Rediscover August Wilson in Chicago
On this Chicago-themed episode, Rob and J.R. talk to the actor-director duo about staging August Wilson’s solo play, ‘How I Learned What I Learned,’ and check in with arts journalist Mike Davis.
‘Tommy,’ Can You Hear Me? I’m Not Gonna Take It
From its casting to its staging, the acclaimed new Broadway revival of the iconic rock musical misses opportunities to engage with, and subvert, harmful tropes around Deafness and disability.
Latinx Theatre Commons Celebrates 10 Years of Connection
Participants gathered to preserve the legacy and imagine the future of Latinx theatre at the LTC’s convening in Boston last month.
This Month in Theatre History
April recalls the Hyers sisters, a prolific lyricist, a federal musical revue, a busy book writer, an August Wilson premiere, and an Anna Deavere Smith classic.
The Subtext: Mashuq Mushtaq Deen Befriends the Lion and the Rottweiler
This month Brian talks to playwright Mashuq Mushtaq Deen about building a writing career, pushing audiences out of their comfort zone, and finding his place in the theatre.
Breaking the Binary Announces Regional Theatre Partnership Program
The traveling workshop series for local TNB2S+ artists begins with Woolly Mammoth Theatre Company in May and Steppenwolf Theatre in July.
The Path: How 6 Actors Learned Their Craft
From conservatories to MFAs to youth ensembles, the best training to reflect human behavior onstage can take as many forms as life itself.
