New Orleans Gets Spooky in ‘The Hollow’
Christina Ham’s play at Workhaus Collective explores class and race issues in a haunting way.
All posts by Nicole Estvanik Taylor
20 Questions for Richard Bean
The British scribe, known largely stateside for ‘One Man, Two Guvnors,’ discusses his career, the British monarchy, and the differences between England and America.
This Month in Theatre History (September 2013)
Theatrical milestones of Septembers past range from the start of van Itallie’s relationship with the Open Theater to the launch of the Arden.
In the Wheel World With ‘Prometheus Bound’
The Getty Villa presents a new take on the Greek classic.
Chattanooga Theatre on the Verge
The door to professionalism has cracked open. Will the Tennessee city’s artists and audiences step through?
Danai Gurira’s Family Secrets in ‘The Convert’
The actor/playwright speaks explains how her play about Zimbabwe’s colonial history is surprisingly personal.
Executive Note for September 2013
Theatre Communications Group executive director talks about the 2013 conference and her takeaways from the convening.
Refitnessing Design: A Tour of "STRATA"
Rob Long takes AT’s Diep Tran through the different rooms of the immersive play “STRATA,” from Bricolage Production Company.
Heather Raffo Brings ‘9 Parts of Desire’ to Iraq
The solo show is staged at the American University of Iraq-Sulaimani.
Playwrights Call for Gun Control
’24 Gun Control Plays’ features short plays performed internationally.
