Baldwin’s first work for the stage, written in 1954, chronicles the story of a Black female pastor in Harlem, Margaret, who must grapple with the social, cultural, and gender limitations of pastoring a storefront church when she is confronted by the secular life she left behind.
The Amen Corner
Baldwin’s first work for the stage, written in 1954, chronicles the story of a Black female pastor in Harlem, Margaret, who must grapple with the social, cultural, and gender limitations of pastoring a storefront church when she is confronted by the secular life she left behind. Support American Theatre: a just and thriving theatre ecology begins with information for all. Please join us in this mission by joining TCG, which entitles you to copies of our quarterly print magazine and helps support a long legacy…
