This Month in Theatre History
November recalls the play Lincoln first saw Booth in, Kern’s Princess Theatre musicals, a Puerto Rican literary godfather, a gospel Oedipus musical, and a century-defining epic.
November recalls the play Lincoln first saw Booth in, Kern’s Princess Theatre musicals, a Puerto Rican literary godfather, a gospel Oedipus musical, and a century-defining epic.
Her specialties have been performance theory, European theatre and cultural history, transformative aesthetics, and performances of Greek tragedies since 1800.
The new works grant is named in honor of founding artistic director Katherine Owens.
The 2 writers were honored at last week’s Dramatists Guild Foundation gala.
Why a very busy TV writer has regularly joined a group of theatre artists who pull all-nighters to create plays from scratch.
Keen Company’s roving production of Joan Didion’s mourning memoir makes a good fit for Long Wharf’s itinerant programming agenda.
This month Woodzick talks to mutli-hyphenate performer Michael Urie ahead of his return to Broadway in ‘Spamalot.’
How one iconic Chicago theatre photographer captures the ‘now’ not only with his camera but with his whole body and soul.
The founder of Yale Rep and ART had intellect, idealism, and indignation to spare, and he put it all in service of the theatre he wanted to see in the world.
A look at 3 companies of color who are making theatre that’s local, new, and inventive.