Kimberly E. Douglas Named Woolly Mammoth Managing Director
The hire makes Woolly Mammoth one of few major U.S. theatres to be led by two women of color, as D.C. native Douglas joins artistic director Maria Manuela Goyanes.
The hire makes Woolly Mammoth one of few major U.S. theatres to be led by two women of color, as D.C. native Douglas joins artistic director Maria Manuela Goyanes.
Taking the baton into her own hands, the busy orchestrator founded Broadway Sinfonietta not only for her but for other women of color often denied a seat in the orchestra.
A groundbreaking new effort promises to combine generated text with live performance.
The new bookstore and café aims to fill a niche for theatre-loving readers, book-loving stage folks, and anyone else who’s been missing a sense of community.
After stepping down from the helm of the Chicago theatre he ran for 36 years, he’s directing—what else?—Chekhov’s ‘The Cherry Orchard.’
The dramatists will present a reading with the other 2023 award winners at the Center for Fiction on March 30.
The Playwrights Cohort at PlayPenn and a new digital speaker series are designed to help serve even more writers this year.
The Omaha-based director talks about theatre’s collective brain, doing queer art on Catholic campuses, and how to break through the gender binary in casting.
With her troupe MorDance, Morgan McEwen aims to treat dancers fairly and change the stories ballet tells, both on- and offstage.
2 artists who’ve explored the ways city politics are like theatre wonder: What might theatre learn from city politics?