In Theatre, At Least We’re Honest About the Lie
A poet/playwright reflects on the pleasure and possibility of a medium where deliberate fakery can lead to a kind of freedom.
A poet/playwright reflects on the pleasure and possibility of a medium where deliberate fakery can lead to a kind of freedom.
Williamson, whose background is in directing, producing, and dramaturgy, will be the first woman to lead the Rochester company.
Peter Marks and Elisabeth Vincentelli gather one more time to remember their recently departed co-host, Terry Teachout.
Readers have a lot to say about post-show discussions.
Known for his historical plays, including ‘Nixon’s Nixon,’ Lees also made a name scripting video games.
Woods recently served as co-artistic director at Seattle’s Sound Theatre Company.
The Minnesota company will produce three new plays, including one by the late playwright Barbara Field.
How the Philly playwright’s arrival in New York in 1968 changed the course of Black theatre in the U.S.
This week we say farewell to associate editor Jerald Raymond Pierce and talk to Steppenwolf Theatre’s new co-artistic directors Glenn Davis and Audrey Francis.
He was a writer with rigor and taste, but as anyone who knew him (or sat near him) could tell you, he was as demonstrative and passionate an advocate as the theatre has ever had.