Gilman and Falls: A Match Made at the Goodman
Gearing up for their 6th collaboration at the Goodman, the playwright and director reflect on an artistic partnership that has spanned 25 years.
Yearly Archives: 2022
Letters to the Editor: Long Wharf, Stage Blood
Readers respond to a review of a book about making it bleed onstage, and a theatre leader takes issue with a recent report on a necessarily changing field.
Playwrights Realm Announces 2022-23 Cohort of Writers
The company is launching another fellowship program to lower barriers for playwrights entering the industry.
The Subtext: Callie Kimball’s Maine Event
In this episode, Brian talks to a longtime friend and colleague about her circuitous path from and back to the Pine Tree State, and what that journey has meant for her as a writer.
Offscript: Most-Produced With Lynn Nottage & Lauren Gunderson
On this episode we broke the news that Nottage’s ‘Clyde’s’ will be the most-produced play of the season, then welcomed her and fellow prolific scribe Gunderson on to talk shop.
3 Portland, Ore. Companies Join to Form Cuomo Theatre Collaborative
Named for Coho Productions’ late artistic director, Philip Cuomo, the new collective also includes Third Rail Rep and Portland Experimental Theatre Ensemble.
‘Clyde’s’ Is Most-Produced Play, and Lynn Nottage Most-Produced Playwright, of 2022-23 Season
A mix of familiar and new titles, of challenge and comfort, characterizes this year’s lists, the first this magazine has done since 2019.
7 Early Career Designers Receive 1/52 Project Grants
Each of the inaugural recipients of these grants, designed to support a diverse pool of designers in all disciplines, will receive grants up to $15,000.
Producer Lamar Richardson Is Named 2022 Front Row Fellow
The fellowship. designed to support young producers of color, grants the recipient a $10,000 stipend and a $20,000 budget to cover the costs of developing a new show.
Robert O’Hara Puts Nothing on a Pedestal, Least of All the Canon
This busy writer-director, known for new works, is now staging ‘A Raisin in the Sun’ at the Public, but it’s more a case of continuing a legacy of Black iconoclasm than a new career phase.
