A Cultural Patriot, Curious About Theatre Everywhere—That Was Jim O’Quinn
Though he ran a magazine based in New York City, he tirelessly—and uniquely—spread the love around the entire national theatre scene.
Though he ran a magazine based in New York City, he tirelessly—and uniquely—spread the love around the entire national theatre scene.
The founding editor of American Theatre did everything with gusto, including mentoring two generations of theatre journalists.
Pandemic delays allowed the Chicago theatre to rethink their both production process and the meaning of the play, with strong input from their lead actor.
She may be alone onstage for the performance, but she contains—and reflects—multitudes.
The new fellowship connects BIPOC designers with performing arts organizations, with funding from Disney Live Entertainment.
South Coast Rep’s play reading series will return, along with a new program bringing play readings to UC Irvine.
For Hispanic Heritage Month, four Latinx/Latine play festival producers talk about their vision for a more expansive and inclusive American theatre.
Formerly the Minnesota Jewish Theatre Company, this Twin Cities mainstay is dedicated to new work rooted in Jewish culture.
As she steps into a new role at D.C.’s Folger Theatre and Library, she’s focused on how a repurposed Bard can help build community.
At the national theatre magazine he founded in 1984, he spent decades covering and celebrating artists and companies in the U.S. and around the world.