Prince’s Theatre
Harold Prince has always made work that matters to him—and most often to a wide audience.
Yearly Archives: 2016
Broadway Needs Producers, Not Just Investors
Whatever contribution I’ve made to the theatre repertoire has been because I took risks on great material and got backers to trust me with it.
Why Join LORT? Artists Rep Explores the Process
The theatre in Portland, Ore., joins the organization for national profile—and local leadership on wages.
Same Job, Different Business
What nonprofit managers and commercial producers can learn from each other, and pass on.
Want to Own Your Theatre? Be Careful What You Wish For
For many small theatres, the leap to midsize, and from renting to owning, can be a make-or-break deal.
What Theatre Might Learn From Netflix
The theatre subscription model may seem creaky, but maybe all its needs is an upgrade—a monthly, recurring upgrade.
‘The Gabriels’: Family Matters in an Election Year
Richard Nelson’s newest cycle of plays views the presidential election through a painfully personal lens.
Aleshea Harris Receives 2016 Relentless Award
The second annual award recognizes the playwright for her play ‘Is God Is.’
Onstage This Week: Halloween Edition 2016
From headless horsemen to blood thirsty vampires, from witch prosecutions to murder trials, this week’s theatre offerings are spooky.
New Program to Offer Free Seats to Playwrights
Samuel French’s Playwrights Welcome initiative will give away unsold seats at select theatres to Dramatists Guild members.
