Behind (Almost) Every Tony Nominee: a Nonprofit Theatre
Most of today’s Tony-nominated shows got their start on non-commercial stages, either in the U.S. or abroad.
Most of today’s Tony-nominated shows got their start on non-commercial stages, either in the U.S. or abroad.
New plays by Eliza Clark, Qui Nguyen, Sandra Tsing Loh and Bekah Brunstetter are on the slate, as is a return of Beth Henley’s Western tale ‘Abundance,’ which bowed at SCR in 1989.
Carson Kreitzer, Andrew Rosendorf and Keliher Walsh among recipients of fellowships for emerging and Minnesota-based playwrights.
New productions of ‘Rent,’ ‘Dreamgirls’ and ‘The Little Mermaid’ vie with a newly constructed musical, ‘Empire.’
Valdez leaves after eight years shoring up the ensemble advocacy organization.
Los Angeles is still getting a good deal, AEA’s executive director insists, if people would only take the time to study its new proposals for the city’s small theatres.
Couples and coupling are a recurring theme this week, but then so are the social forces that can tear them asunder.
Two new one-woman plays dramatize the unique stress and ethical pitfalls of fighting in the Chair Force.
The New York theatre honors recognize a resident theatre leader as it enters its 100th year.
The Off-Broadway company joins the ranks of nonprofits with Broadway houses, with a mission to produce living American writers.