Editor’s Note: The Puppet Moment
There’s no great mystery why they’re so popular, but that doesn’t mean there isn’t a mystique, and plenty of mystery worth exploring, about puppets.
There’s no great mystery why they’re so popular, but that doesn’t mean there isn’t a mystique, and plenty of mystery worth exploring, about puppets.
From Shakespeare to showtunes to hoedowns, it’s another diverse week on stages across America.
The difference between arts professionals and the rest of us isn’t about money but about dedication.
Lin-Manuel Miranda packed everything he knows about history, hip-hop, and musical theatre into his new hit show. No wonder ‘Hamilton’ is changing everything.
Susan Booth, artistic director of Alliance Theatre, defines white privilege and explains why she doesn’t do classics. Also, the editors talk the Count and ‘The Wild Party.’
The LGBTQ focused theatre celebrates its 20th anniversary season with a world premiere and two Chicago premieres.
The roster includes world premieres by Thomas Bradshaw, Frank Winters, and new artistic director Niegel Smith.
In her raunchy new solo show ‘Pound,’ the solo performer takes on filmic stereotypes—and tries to one-up crude male comics.
In the tale of a century-old serial murder case, the feminist theatre company finds a resonant and literally immersive fable of abuse.
Over two weekends, writers at the Bay Area Playwrights Festival get two passes at their work, and their needs are as different as their plays.