Everybody’s Got a Right to Their Shakespeare (Even John Wilkes Booth)
Among the bounty of items in the Ransom Center’s exhibit about the Bard will be the assassin’s script for ‘Richard III.’
Among the bounty of items in the Ransom Center’s exhibit about the Bard will be the assassin’s script for ‘Richard III.’
Friedmann brings her experience of fundraising and marketing to Theatre Communications Group.
All stage performers must strike a balance between ‘head’ work and physical theatre, but the main trick may be not to see them as separate.
Carrie Coon, Crystal Dickinson, Maria Dizzia, Daniel Duque-Estrada, Stephen McKinley Henderson, and Jon Norman Schneider talk training, acting process, and the mind/body connection.
The writer shares her experience of spending 10 months in Blue Lake, Calif., at the Dell’Arte International School of Physical Theatre.
How circus arts companies are training artists to become both actors and acrobats.
Theatre companies and training programs are incorporating physical acting training to strengthen ensembles and improve performance.
The new Chicago storefront theatre announces a premiere and a classic for its second season.
Ross will leave the Connecticut theatre to succeed Stephen Richard as the managing director of Center Stage in Baltimore.
Dublin Theatre Festival attracted more than 50,000 people to an 18-day festival in Ireland’s capital city this fall.