Deaf West’s ‘Spring Awakening’ Honored With Champions for Change Award
The ASL/spoken English adaptation of Duncan Sheik and Steven Sater’s 2007 musical is congratulated for its contributions to the disabled community in New York.
The ASL/spoken English adaptation of Duncan Sheik and Steven Sater’s 2007 musical is congratulated for its contributions to the disabled community in New York.
Copy & waste and English Theatre Berlin | International Performing Arts Center address gentrification with a little help from Marty McFly.
Writing a play about ancestors consumed by an atrocity became an unexpected passport to a homecoming.
In the struggle to make work on tiny budgets, small theatres in New York, Chicago, and Los Angeles may have more in common than not.
The artistry of Deaf and disabled theatre workers has been amply demonstrated. Why aren’t they centerstage more regularly?
If Deaf stories and actors are having a moment, from ‘Spring Awakening’ to ‘Tribes,’ it’s only because the rest of the world is finally discovering a well-established theatrical tradition.
Obviously theatres should give priority to disabled actors in roles defined as disabled. The next step: to consider them for all roles.
An Anatomized Philippic Regarding the Relationship of Disability to the Contemporary American Theatre
As the first wheelchair-using performer ever cast on Broadway, Stroker isn’t just realizing a dream; she’s making it possible for others like her to dream, as well.
How a seminal friendship changed my views on disability—and prepared me for my own.